Take lead role in sourcing, developing, producing, and overseeing your own projects while also stepping in as lead Executive on certain existing projects already in motion.
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A place to find all non-assistant, mid-level job lists.
Provide pre-production, production and post support for Tasty content creators. Maintain production trackers and facilitate production workflow to ensure deadlines are met.
Participating in the evaluation process for program submissions; including reading, providing coverage, and recording and tracking evaluation notes of the team’s final selections.
Assisting attorneys by doing research, proofreading and some drafting. Participating in business and leadership development sessions.
Read scripts and update correlating on-camera grids and one-liners to then share with Creative Manager. Manage, file, and track Music budgets and liaise with Music Finance to ensure cost reports are up-to-date.
Conceptualize, develop, and produce compelling segments and videos related to Financial markets, NYSE activities, and related Content specifically for NYSE TV.
Coordinate logistics, including but not limited to crew needs and bookings, securing locations, handling appearance and location releases, securing permits, and securing props.
Overseeing design, copy, and content production for all Sundance Institute year-round campaigns and collateral. Managing the look and feel of the Sundance Film Festival online platform and performing occasional work on Institute website.
Responsible for providing support to production, scheduling, and Operations as needed.
Advise on all aspects of compliance & risk management relating to conservation to ensure the safety of our collections & places when properties generate income by hosting filming.
Retrieve relevant archival footage from the extensive ABC News library to support current news stories and enhance their context. Conduct thorough fact-checking and verification of information presented in news stories to ensure accuracy and credibility.
Oversee dialogue, book talent, direct ADR, liaise with feature sound design team. Oversee and disseminate finishing preps for pictures, graphics, and audio elements. Liaise with TV finishing agency and TV Media agency.
Managing schedule of the EVP, including coordinating daily meetings and appointments. Arranging complex travel plans and itineraries, compiling documents for travel-related meetings, and accompanying supervisor when requested.
Builds strong partnerships locally, regionally and globally to advocate for the needs of the DACH/Nordics/Benelux markets while seeking broader understanding and best practices.
Responsible for Sales in key-territories, will attend international Film markets, must be able to work in a fast-paced, demanding environment, and be a problem solver.
Help generate, develop and pitch original unscripted docu ideas and formats. Research cases and stories for development and series.
Animate shots from blocking through final Animation, working under the supervision of the Animation Supervisor and/or Director.
The ideal candidate is an exceptionally organized and skilled collaborator with great Creative taste and an immense amount of drive and ambition who wants to transform the development landscape for disabled creators and empower them to thrive at the highest levels of Hollywood.
Monitor and improve daily function of WME’s Scripted Television Department to ensure business functions are in line with department and company-wide strategic goals.
Work directly with and assist the production executive to coordinate all Features associated with the production executive’s office from strategic planning, and pre-production through the wrap of Physical Production.
Take lead role in sourcing, developing, producing, and overseeing your own projects while also stepping in as lead Executive on certain existing projects already in motion.
The role will focus on creating shareable Content which supports, engages and amplifies audience engagement across the Digital estate.
Work closely with the SVP of Development, directors, and development Production Manager to support the needs of the team within development projects assigned. Read and provide coverage for writing samples and potential new projects.
The primary responsibilities are to support project development by reading and analyzing Creative material, presenting feedback and participating on Creative conference calls/meetings.
Responsible for research projects, information tracking, grid work, and script/Book coverage in addition to providing high level administrative support, including, but not limited to: day-to-day scheduling, processing, note-taking, and generating organization systems.
Oversight of any live action shoots, including working with a Line Producer to accurately bid the shoots and track them so they come in on or under budget.
Break down scripts for Storyboard Handouts and Design meetings. Work with the other show Coordinators and/or Production Associate to maintain artwork and production files as per standard TVA procedures.
The role is primarily focused on scripted TV/Film, but will also require unscripted TV development work.
Track budgets and budget approvals. Coordinate collection of production / talent agreements and work with Business Affairs and Creative if changes are required to standard agreements.
Administrative tasks such as file organization, light scheduling, and transcribing notes.
