Pull press breaks daily for corporate, project specific and industry related topics – draft and circulate internal news reports.
Other
A place to find all non-assistant, mid-level job lists.
Responsibilities include phones, managing calendars, scheduling, making travel arrangements, and other administrative tasks.
Responsibilities include liaising with internal departments and third parties; project and payment tracking; extracting deal info; drafting agreements & meeting summaries; and more.
Candidates must have robust interest in reading and books—and candidates must be comfortable summarizing and pitching IP.
Responsibilities include phones, scheduling, databases, and meeting minutes.
Responsibilities include coordinating content schedule and managing creator’s content strategy across all platforms.
Experience with script coverage and administrative tasks is preferred along with proficiency in Adobe Photoshop, Keynote, and Excel.
Responsible for assisting the Head of House in all aspects of house operations as well as assisting in production and with talent.
Duties involve aiding the executive assistants in the department with clerical work, errands, meeting preparation, and additional duties as assigned.
An ideal candidate should be interested in DIY production, marketing and distribution of films, especially documentaries.
Candidates need to have editing experience and must be highly organized, ambitious, detail-oriented and computer savvy.
Knowledge of video/audio formats, MP3 convertors, frame rates, Pro Tools, Audacity, and Movavi preferred.
The right person for this role is a highly self-directed and enthusiastic problem solver, with an ability to inspire and effect change through influence and collaboration.
Work closely with leaders in overseeing all facets of Current Series and scripted development.
The Coordinator will participate in the development of all scripted Programming from concept to series.
Work with BRON management on smooth operation of writing materials. Prepare scripts for recording sessions; provide a cast list and line counts.
Take writing notes in any creative meetings and organize them into one tracking list per episode for pickups and ADR and distribute them to the teams. Work with BRON management on smooth operation of writing materials.
The role offers a unique opportunity to gain experience in all areas of Film and TV: production, development and business affairs, with potential for professional development and growth.
Candidates should be highly organized, collaborative & self-motivated.
This role specifically decides on which creators to give funding to and invest in across multiple platforms.
Ideal candidate has a background in media, photography, videography and technology.
Candidates must have experience in transcription and be able to transcribe recorded dictation of manuscript revisions.
The Traditional Animation Trainees will cross train across the hand-drawn crafts of character animation, effects animation, and cleanup under the mentorship of such iconic masters as Eric Goldberg, Mark Henn, Randy Haycock, and Rachel Bibb.
Create and maintain documentation necessary for panels and events. Manage and update a calendar of all AWD events (internal and external) for the year.
Editor who can help create top tier food and cooking videos for a large YouTube channel.
Responsible for scheduling meetings, coordinating markets, and assisting in the drafting and completion of sales contracts.
Job responsibilities include: running point on marketing materials (key art, trailers), basic maintenance of the company’s web presence, light admin work, and supporting the sales team in preparation for markets.
The role requires assisting all internal communications, supporting the creative development and ideation process, managing project management systems, and more.
The Coordinator will also support the development team in tracking incoming external submissions, including but not limited to: scripts, novels, idea pitches, etc.
Supervise all 3 SFTV theaters including, but not limited to the scheduling and maintenance of theater/projection facilities.
