Read and watch a high volume of weekly script and film submissions. Write concise coverage analyzing submitted films for consideration of acquisition or talent tracking.
submissions
Managing the agent’s calendar, email, phones, sending submissions, evaluative queries and manuscripts, and handling a variety of client oriented business.
Administrative support including phone management, calendar management, expense reports, travel arrangements, etc. Script coverage and analysis at the highest levels is paramount.
Administrative work with the opportunity for more, including supervised client coverage, strategy, submissions and client relations.
Manage submissions, coordinate responses, and delegate reads internally.
Tracks incoming submissions, coordinates coverage of all submissions, provides coverage, and prepares weekend read grid with appropriate materials.
Responsibilities include the usual assistant duties, reading incoming submissions, writing notes and client servicing tasks.
Responsibilities include: scheduling & phones, reading scripts, note-taking on calls, list-making/grid maintenance, social media help, and coordinating travel.
Track budgets, payments and other financial transactions. Manage submissions and creative development materials for clients.
Assist with tracking, research, submissions, and advocacy/outreach.
Busy desk with a high volume of emailing, calls, scheduling and managing submissions.
Department coordination including tracking and maintaining department grids and documents. Script coverage and material evaluation for current shows, development projects, and incoming submissions and specs.
Requires client contact, scheduling, submissions, research, reading, and project tracking.
Responsibilities include logistics and scheduling, rolling calls, tracking submissions, and staying up to date on internal projects.
Take notes in meetings with high-level showrunners, help with Keynote and/or Photoshop projects, and update and organize submissions & development grids.
Responsibilities include scheduling, rolling calls, maintaining grids, submissions, coverage, research, expenses, booking travel, etc.
Track budgets, payments and other financial transactions. Manage submissions and creative development materials for clients.
Manage and evaluate incoming submissions of written and visual material and keep an accurate account of all materials that are submitted. Evaluate materials such as scripts, cuts, outlines, and submissions.
Give Creative guidance and feedback to writers, producers, and creators on outlines, scripts, cuts, and all other incoming material.
Take lead role in sourcing, developing, producing, and overseeing your own projects while also stepping in as lead Executive on certain existing projects already in motion.
Participating in the evaluation process for program submissions; including reading, providing coverage, and recording and tracking evaluation notes of the team’s final selections.
Handle logistics, rolling calls, scheduling, tracking submissions, and staying updated on internal projects.
Responsibilities include heavy scheduling, calendar management, rolling calls, project/client submissions, script reading and more.
Daily tasks include rolling calls, scheduling, reading materials, keeping track of and sending submissions, and interfacing with clients, agents & executives.
Fielding phone calls in a professional manner, rolling calls and maintaining phone sheets for both executives. Providing Creative support such as reviewing submissions, taking notes and tracking competitive projects.
Take notes in meetings with high-level showrunners, help with Keynote and/or Photoshop projects, and update and organize submissions and development grids.
Answering and rolling calls, heavy scheduling, booking travel, and liaising with other internal departments and external contacts. Script coverage and material evaluation for current shows, development projects, and incoming submissions and specs.
Take lead role in sourcing, developing, producing, and overseeing your own projects while also stepping in as lead Executive on certain existing projects already in motion.
Responsibilities: phones, grids, scheduling, submissions, travel, scouting, client interaction.
Data entry, filing and tracking of all incoming and existing Creative/administrative documents, including script/project submissions. Read scripts and write coverage when requested.
