submissions

Responsibilities include scheduling, travel, and Festival logistics.

Provides support by keeping daily calendar, answering phones, rolling calls, preparing expense reports, and making travel arrangements. Possess a thorough understanding of the development and production process.

Fielding phone calls in a professional manner, rolling calls and maintaining phone sheets for both executives. Providing Creative support such as reviewing submissions, taking notes and tracking competitive projects.

Duties include managing calendars on a high-volume desk, overseeing submissions and grids, reading/providing coverage for screenplays and books, and general office coordination.

Managing calendar, scheduling appointments, meetings, etc. Answering telephones, screening calls, logging/ placing calls and taking notes.

Responsibilities include rolling calls, coordinating schedules, managing travel, and facilitating timely action items for the team in a fast-paced and high-volume environment.

Duties include calls, scheduling, evaluating submissions, project notes, tracking, and intern management.

Responsibilities include scheduling, rolling calls, coordinating travel, logging and tracking submissions, reading and coverage, and managing commissions.

Role for someone who is highly organized, efficient and has an interest in scripted TV. Schedule meetings, set priorities, and resolve scheduling conflicts.

Responsibilities include scheduling, rolling calls, managing submissions, reading incoming material and booking travel.

Duties include managing schedules, rolling calls, overseeing submissions, and analyzing screenplays/Films/books.

Responsibilities include scheduling, rolling calls, maintaining grids, submissions, expenses, booking travel, research, and coverage, etc.

Manage significant volume of calendar of appointments, meetings, and handle logistics of meetings. Proactively participate in reading Creative submissions and providing feedback on material.

Log and track incoming pitch submissions and international formats to ensure timely response and accurate record keeping. Maintains weekly tracking grids for all shows in production and development.

General assistant duties including, answering phones, scheduling conference calls, meetings, pitches, copying, printing, compiling documents, creating and distributing agendas and itineraries.

This role will help develop existing projects, identify new source material from IP, and field pitches, review submissions, etc.

Manage an active slate of development projects and actively support SVP live-action Series & Film in maintaining a pipeline of compelling, engaging and producible content.

Interns will take notes in meetings with high-level showrunners, help with Keynote and/or Photoshop projects, and update and organize submissions and development grids.

Reading script submissions and providing written summaries and recommendations for development executives.

Scheduling and coordinating recurring in-house staff meetings, generals, informationals, pitches, and production meetings, table reads, etc.

Typical assistant duties include phones, scheduling, submissions, coverage and support as needed on projects and slate.

Duties include scheduling, rolling calls, submissions, tracking, working with high-level talent, script reading and research, etc.

Job entails scheduling client appointments, coordinating development for Film and Television, talent submissions, heavy focus on development, and creating Writer and Executive lists.

Responsibilities include rolling calls, managing calendars, interfacing and scheduling for clients, managing submissions, reading scripts, etc.

Position includes client appointments, submissions, scheduling, and campaign management.

Reads scripts and provides coverage at the Executive’s discretion. Types and organizes story notes, production notes, post-production notes and various other development material.

Script coverage and material evaluation for current shows, development projects, and incoming submissions and specs.

Duties include reading scripts, books, and project drafts; tracking incoming and outgoing submissions; sharing ideas, and more.

Responsibilities include: scheduling a high volume of meetings for two executives; interfacing and scheduling for clients; script coverage; tracking talent; managing submissions; IP tracking.

Responsibilities include, but are not limited to: scheduling a high volume of meetings and calls for two executives; interfacing and scheduling for clients; performing and organizing script coverage; tracking writers and directors; managing and tracking submissions of Finance/producing projects.