Responsibilities include: Answering phones, ensuring client calendars are kept up to date with holds and bookings, creating deal memos and client invoices, following up on outstanding payments, etc.
submissions
Take notes in meetings with high-level showrunners, help with Keynote and/or Photoshop design projects, and update & organize submissions and development grids.
Manage submissions, maintain development grids, track projects, read material (scripts and books), provide notes on active projects, correspond with Literary Agents, research IP, oversee the intern program, and other administrative duties.
Create a slate of Films across genres while growing MVE’s buyer relationship both in the US and abroad. Bring and build connections with the creative community to further grow MVE’s slate of Film and expand its roster of writers and directors.
Tasks include scheduling, coordinating submissions to Production Companies & distributors, and assisting or covering other team tasks as needed.
Day-to-day tasks involve rolling calls, scheduling, chasing money, coverage, submissions, etc.
Duties include heavy phones, client submissions, and maintaining detailed & accurate schedules.
Responsibilities include a high volume of reading and managing submissions as well as standard admin duties such as scheduling, organizing / updating grids, rolling calls, etc.
Typical assistant duties include phones, scheduling, submissions, coverage, and project tracking.
Duties include managing schedules, rolling calls, overseeing submissions, analyzing screenplays/films/books, maintaining lists of directors, writers, and actors, as well as general office duties and coordinating travel.
Responsibilities include but are not limited to general office duties, answering phones, submissions, client appointments, overseeing project grid entries, scheduling auditions, booking travel, script coverage, etc.
Facilitate functionality of department by accurately maintaining company databases, tracking documents, submissions logs, and tracking individual project development to support a growing pipeline of movies for our indie and robust streaming slate.
Managing the Agent’s calendar, email, phones, sending submissions, evaluate queries & manuscripts, and handling a variety of client oriented business.
Office duties include but not limited to: rolling calls, scheduling calls and meetings for Executive & clients, sending out submissions, money tracking, and coverage.
Duties include managing schedules, organizing and overseeing submissions, analyzing scripts/books, maintaining meeting agendas, general office duties, and personal tasks.
Distributing script materials and internal project trackers. Provide detailed coverage of incoming script and project submissions as needed.
Support entire Original Programming Department in execution of Scripted Originals. Help maintain all submission reports, spec logs and development reports for scripted programming.
Duties include managing schedules, rolling calls, overseeing submissions, analyzing screenplays/films/books, and maintaining lists of directors, writers, & actors.
Office duties include but are not limited to: rolling calls, scheduling, submissions, money tracking and coverage.
Heavy scheduling for managers’ and clients’ meetings, logging submissions, rolling calls, reading and coverage, and scouting potential clients and projects.
Phones, emails and submissions, set meetings, deal memos, update calendars, resumes, invoicing, and tracking.
Responsibilities include evaluating project submissions for consideration, submission coverage, tracking and researching projects in various stages of development/production, and more.
Find and pitch new IP to senior management with a Creative point of view and an eye towards marketplace viability and development path.
Responsibilities include standard administrative support, supporting the US office/team, reading/evaluating submissions, providing Creative input across the development slate, and more.
Daily responsibilities include managing calls, managing schedules, facilitating auditions, compiling submissions, tracking client bookings, as well as serving as the first point of contact with clients, casting directors, and executives.
Duties include reading scripts, books and project drafts; tracking incoming and outgoing submissions; sharing ideas, and more.
Heavy scheduling of managers and clients’ meetings, logging submissions, rolling calls, reading & coverage, and scouting potential clients and projects.
The Production Coordinator will provide administrative support to the Executive Producer, assist senior producers in selecting and coordinating interns, update and maintain American Masters’ database and series one-sheets, maintain an inventory of supplies, log all proposals received and organize American Masters’ tape closet and press files.
Looking for someone who is good with multitasking, giving out appointments, sending out self-tapes, submissions and script coverage.
Responsibilities include scheduling, expense reports, travel, and reading submissions and providing Creative feedback.
