Television

The role requires the typical administrative duties (rolling calls, managing schedules, keeping logs, etc.), in addition to heavy client interaction, reading, and Creative input.

Responsibilities include rolling calls, managing multiple schedules, setting meetings, covering scripts, interfacing with agents, lawyers, studio executives and producers.

This is a heavy reading position, looking for those who love to read.

Candidate must have a strong ability to manage a heavy calendar, multi-task, stay organized and communicate effectively.

Collaborating in team brainstorm meetings, submitting show ideas, and performing research. Tracking pitches and status updates for internal documents.

Duties include scheduling, rolling calls, and research along with some personal stuff.

Teaching assignments may include a range of courses in the BA and BFA programs, including Filmmaking I, Story Analysis and screenwriting, directing Workshop, Advanced screenwriting, Writing the Narrative Series, Multi-camera Narrative production, and BFA Thesis, among others.

Evaluate permit and issue required Motion Picture/Television and Still Photography permits including but not limited to official permit form, application fee and maintenance of applicable records utilizing the agency’s computer system.

Create, craft, pitch, and sell unscripted formats, docusoaps, game shows and more. Originate new ideas and talent and manage deck writing and design.

This role will be responsible for creating visual assets, including videos, graphics, and some photo illustrations and spanning across platforms, including Instagram, Facebook, Twitter, TikTok, YouTube Shorts, and other new emerging social platforms.

Provide professional and confidential Executive support. Screen incoming requests to determine priority level, including phone calls, visitors and incoming mail.

Drafting and reviewing emails and answering phones. Reading and evaluating scripts.

Looking for a Development Executive/producer to expand the Los Angeles office.

The ideal candidate is a voracious reader and consumer of Film/Television with a fun, proactive, and positive attitude.

Analyze scripts and submissions, prepare coverage, and track Intellectual Property.

Interface with high-profile clients, prospective clients, managers and network executives with utmost professionalism. Research ratings, information on unscripted shows, podcasts, showrunners and directors.

Write concise coverage of scripts, help assess a wide range of material, and provide constructive feedback to Manager for representation consideration and development of producing projects in Film and Television.

Reading scripts/ script coverage. Review ongoing/current projects and provide notes/feedback.

Writing coverage for Film and Television scripts, books, and plays. Researching IP of potential interest for Adaptation (books, articles, podcasts).

Responsibilities include script coverage, tracking writers/directors, sitting in on pitches, as well as other tasks as they arise.

The ideal candidate will be a quick reader, strong writer, have an innate ability to prioritize, and have a good sense of the industry and its main players.

Duties include script coverage and analysis, research, as well as attending meetings with executives.

Should be voracious Readers, and constant consumers of Film and Television with a comprehensive understanding of the industry and its participants.

Partner with the development team and studio leadership to oversee, guide and problem-solve all phases of development from reviewing prospective productions through network sales and pilot production.

Managing writers to develop treatments, scripts, and pitches. This includes developing existing and internal concepts into elevated Films and Series.

The ideal applicants have experience and relationships within the Animation industry, strong convictions about the future of Animation, and are scrappy, passionate, Creative, excited about trying things in new ways, and curious about a wide range of genres, mediums, and ways to build immersive new story worlds.

Work with the development team to manage submission logs, read and distribute scripts, provide coverage, revise/update Creative decks/reels to ensure accuracy, and conduct occasional research/list generation of talent and directors.

Responsibilities include: Answering phones, ensuring client calendars are kept up to date with holds and bookings, creating deal memos and client invoices, following up on outstanding payments, etc.

Responsibilities include project research and script coverage.

Take notes in meetings with high-level showrunners, help with Keynote and/or Photoshop design projects, and update & organize submissions and development grids.